Creating isn't a choice. I must make, or quietly go mad.
Most photographs end on a screen. Mine end on a wall — photographed, printed, and framed by the same pair of hands, start to finish.
Documentary and travel filmmaking — including Finding Main Street, a cross-country motorcycle documentary.
Every print leaves the studio on archival cotton paper, color-managed end to end. This is the part of photography you can hold.
Color work calibrated against the paper the image will live on — not a screen.
Fine art pigment printing on 100% cotton rag, profiled per stock for shadow depth and highlight roll-off.
Hard proofs under gallery light before any edition is struck. The print you receive is the print I approved.
Limited editions, hand-numbered and signed in the margin — the way prints have always been finished.
Hardwood mouldings cut and joined in the studio, museum-grade mats, and optional Optium Museum Acrylic® — near-invisible, anti-reflective, UV-filtering glazing.
Natural hardwood frames · Optium glazingLimited edition prints from the archive are available through Photo & Craft — framed, finished, and shipped ready to hang.
Printing and framing happen at Scale Up Art, my fine art print studio in San Francisco — the same benches that serve galleries and working artists across the Bay.